“What’s wrong with being on the other side of the camera?”
There is that running joke said whenever someone introduces themselves with “I’m a nude photographer” but whenever I meet someone who does art nudes I find myself prone to ask “Would you pose nude?”.
(By the way I don’t take art nudes – I take photographs of naked people). Terry Richardson perhaps a little too famously, Helmut Newton yes, that’s about all I can think of. There are of course quite a few women photographers who have appeared nude, the majority of which has migrated from modeling to directing.
“What’s wrong with being on the other side of the camera?” asks Betty Schaefer of Joe Gillis in “Sunset Boulevard”.
It’s occurred to me that you shouldn’t ask others to do what you’re not willing to do oneself. The aforementioned
two ducked the issue slightly by doing a self-portrait: where one is in control of the environment and perhaps more crucially of the choice and production of the released image. To truly go the other side of the camera means being a model for another photographer.
Pau Ros is one half of Completely Naked, a naked performance troupe who recently staged their action #8 in Portugal. Publicity material was needed as part of the run up to the event. It seemed only fair that I should put myself where others tread on my behalf. To be shot naked where I had no jurisdiction over the final image.
To be honest I had posed for them before as a “moral experiment” to put myself on the far side of the lens but didn’t propagate the fact. Which on reflection seems only half the process. The other is a willing public dissemination; releasing the nudity.
The curious can see more from the shoot by repeatedly reloading the event page and the truly adventurous can view the material from the public intervention action #7 I first participated in at the Elephant and Castle. Those familiar with my work may recognise a few faces (or other parts).